If You’re a fan of Polly Paulusma, particularly her latest album Fingers & Thumbs, then it would be worthwhile keeping an eye on her myspace. Each week Polly is releasing a track that didn’t make to the album as a free download.
10 Thursday May 2007
Posted in Music
If You’re a fan of Polly Paulusma, particularly her latest album Fingers & Thumbs, then it would be worthwhile keeping an eye on her myspace. Each week Polly is releasing a track that didn’t make to the album as a free download.
08 Tuesday May 2007
It would appear that in the ‘Land of the Free’ the legislature is getting a little over zealous about protecting big business. This time the record companies appear to have found away to make the practicalities of selling second hand CDs economically and in practical terms unviable – the full story can be found here. The whole action is an attempt to stop people using it as a channel to sell pirated CDs.
The whole situation seems a little crazy – in countries such as Russia & China pirate CDs account for 90%+ of all CD sales, so making a little bit of head way (even if it means bribing officials to get things moving) would notably improve profits for the companies rather than chasing those 1%-2% of sales that maybe lost in this manner. Although there is nothing wrong legally in chasing down those small criminals the actions affect small businesses and more importantly 90%+ of the law abiding population.
In many respects this strikes me as being a lot like speech Tom Dobbs (Robin Williams) from the film Man of The Year gave at the Presidential Debate when asked about national security he ripped into the levels of airport security being so tight its frightening for the law abiding Joe – yet Mexicans can wonder across the border with their entire household without being in the least bit concerned.
08 Tuesday May 2007
Posted in Music
The last few days I’ve started into Last Night A DJ Saved My Life – The history of the disk jockey. To be honest I approached the book with a bit of trepidation as the title does sound incredibly dry. I thought I’d end up reading a chapter and putting down for a month, before tackling a bit more. But it turns out to be anything but. This is book written by two very passionate authors who have reached their subject such that they can describe how DJs have evolved painting pictures for the minds eye with words.
The book is really concentrates itself on DJ in terms of clubs rather than Radio DJs which would seem not to have changed hugely. From the evolution of radio DJs just doing their radio thing in halls to the development of mixing, the lust for for obscure versions of songs and being innovative musically and visually.
The irony of the fledgling years of the DJ is that every time powerful organisations or government tried to squeeze out developments in contemporary culture (in those days as a view to suppressing what we now know as Rhythm & Blues) they actually end up fueling the change through a different channel, something we still see today – for example with our friends the RIAA. An illustration of this was with radio broadcasting in the late 40s and early 50s had to be with live musicians with very limited amount of ‘needle time’. Then the musicians unions started striking for an entire year – so radio stations would get strike busting musicians to record music to LPs, which they’d distribute to radio stations – and this was the birth of the LP. The jukebox took off at the time as well.
Its fasinating (andy maybe a little scary) to discover how important Jimmy Saville is to DJing as well. As he appears to have been the first to use a dual deck setup and little or no chatter between songs just playingin one after another – this was the late war years and into the early fifties. Then the Northern Soul’s need for stompers lead to the revival of some artists careers off the back of this very British scene. Northern Soul also laid down the seeds for styles such as garage and so on. The book also gives an intriguing insight into music tribalism going way back to the 30s & 40s.
Worth an investigation.
02 Wednesday May 2007
Its interesting that Tessa Jowell has announced another inquiry on the subject of ticket touting – as mentioned on the NME and BBC web sites. Call me cynical but this might to an action to gain some positive press after all the bad press over the Olympic Games costs and super casinos. Setting that aside, this is actually nothing very new, the Department of Culture, Media & Sport (DCMS)(the department responsible for such things) and the select committee for Culture, Media and Sport covering culture affairs have been making announcements and raising questions going back to 2004 and earlier – a quick search of the DCMS’ website turns up glossy documentation for the department’s objectives identifying the addressal of ticket touting back in 1999(clearly stated on page 15).
Yet nothing beyond talking about the fact that ticket touting is bad seems to be getting done. Nearly a year ago, the Tessa Jowell at the DCMS held a ‘summit’ on this issue (NME & BBC coverage), you would have thought that after this time they would have progressed things even a little bit. I’m the first to agree that the issue isn’t simple – after all those people who have genuinely purchased tickets, and then can’t attend an event have a legitimate reason to sell on tickets. But undeniably there are people out there buying up tickets to then sell on at inflated prices. The other thing that I can’t make sense of is the fact that touting tickets for football matches has been addressed.
But on the subject of inflated or inflating prices, it seems to me that ticket prices for concerts have been climbing very rapidly over that last couple of years. According to the BBC tickets have prices have been going up 10% per year (article here). Tickets to stadium concerts now seem to average £50 for a cheap seat – forgive me for my ignorance, but I thought economies of scale meant these things should get more expensive.
Then we have the super price concerts such as Madonna (£80-£160) and now Barbra Striesand (£100-£500) and Rolling Stones (£150). Admittedly Striesand will be touring with a large orchestra (but you can see the London Symphony Orchestra at the Barbican for £20) and Madonna’s show looked fairly complex to setup – but no more so than say Peter Gabriel (who’s tickets are at the most a third of the price).
The last sin, in the whole ticket story is the artists auctioning their own tickets to get as much as they can for the best seats. But I’ve blogged about that before.
So are the touts the only ones with outrageous expectations? What are the real chances of the politicians going something about rip off ticket prices (touts and artists)?
02 Wednesday May 2007
Posted in Music, Technology
It would appear that Peter Gabriel as got involved in edging the electronic frontier forward again when it comes to music. et was heavily involved in the development of OD2. OD2 was later sold and now Peter is getting behind a DRM free music service called we7 (he does have a perchance for unconventional names).
we7 manages to ensure artists still earn revenues whilst music becomes free by prepending adverts to the MP3 download, the revenue from the advert then contributes to the artists fee. It seems to be very much like the audio equivalent to Salon.com’s business model. This does suggest that each download should generate about nearly £1 (~ $2) worth of advertising revenue – that seems like an awful lot to me.
But as a model to get hold of music to try before you buy in a manner that suits the consumer it seems like a great idea. You also get the option to buy the music advert free if you like it.
The catalogue at we7 is currently very small – but does try to cover a broad range of genres from hip-hop to jazz with household names e.g. Coolio, Dave Matthews etc. As a registered member I hope to see good developments and will hopefully have reason to blog more about it in the future.
01 Tuesday May 2007
Posted in Music
Jesse Harris is part of Norah Jones’ backing band and also co-writer. it would seem that he is one quietly busy person with another solo album coming out soon (10th July in the States), and a soundtrack (The Hottest State) as well. not to mention collaborating with a number of other artists on their albums. Just to top that off – song gigs, albeit based in New York and other cities in northern USA.
Given his prior work, the new album, called ‘Feel’ wont be as immediate as say the work with Norah Jones, but will grow on you and should have some fine lyrics. Fingers crossed for a European release.
More information can be found at:
www.myspace.com/jesseharrismusic
24 Tuesday Apr 2007
Posted in Music, Technology
According to Digital Music News (article here) Amazon are readying an music download offering that will integrate with the existing store (rathe
r than an independent entity like iTunes etc). The really exciting part is that the downloads will be in MP3 – no DRM! According to the article the will happen regardless of whether or not the majors want to participate.
This of course is all good news for the indie labels who have been selling DRM free content, so shouldn’t have too much trouble striking agreements with Amazon. This can only apply further pressure to the majors to drop the DRM position. At the same time eMusic aren’t going to be happy as it is likely to eclipse their presence on the web for selling DRM free content.
24 Tuesday Apr 2007
Posted in Music
A good review of the new Tom McRae album here – Link to Modern Music: Tom Mcrae – King Of Cards »
20 Friday Apr 2007
Posted in Music
The Daily Mail has an interesting little article talking to Richard Branson (of Virgin Records fame) about how the record label was launched with Mike Oldfield as its first artist.
Article here: Link to ‘£20 for tubular bells? They’d better be worth it’ | the Daily Mail
13 Friday Apr 2007
Posted in Music, Music Reviews
It about time I did another review. Although I prefer not to review mainstream artists, after all they get plenty of press already. I think this album warrants some attention as Jarvis Cocker has released under his own name rather than Pulp.
After Jarvis’ weird off shoot Relaxed Muscle we find this album returning to more familiar grounds. Although this isn’t Pulp it certainly is Jarvis at the top of his game lyrically. In truth the only real difference between this and a genuine Pulp album comes in the shape of lyrical subject and instrumentation.
Instrumentally it isn’t so hook laden and up beat (Do You Remember The First Time for example), so it takes more time to get to grips with it, but repeated listens certainly pay dividends. There are exceptions which are more musically reminiscent of Pulp’s drive such as Black Magic.
At the heart of Pulp and any good Jarvis solo effort of course are his observations through story based lyrics, and this certainly meets that. The difference between this and Pulp are subjects, the focus on the teenage and student views of life (hiding in wardrobes to watch your friend’s sister (Babies), living the life of the less well off (Common People)) has to an extent been replaced by broader issues although songs like Don’t Let Him Waste Your Time (the first single from the album) riff on those old themes, but other songs look at people in power (Running The World) and social climate (Heavy Weather, From A To I).
So if you like Pulp for its smart lyrics, you’ll love this. But if your preference is for pop sensibilities I’d approach with caution and try before you buy. Personally, I think its a fine album.
Links:
Relaxed Muscle (wikipedia)
Jarvis Cocker (myspace)
Pulp (official site)