As a die hard music fan I still take an interest in singles. The ‘B sides’ (for want of a name in this age of the CD) can through up some jems. But the single is slowly being killed off – a few years ago the BPI ruled for a single to qualify for the charts it had to have a maximum of three tracks. This was in an age where remixes and extra songs where de-rigour – for artists like Depeche Mode etc it was fantastic you’d get some really interesting takes on their material plus an extra song or two.

With the limitation of the number of tracks, artists started to release multiple versions of a single – a bit of a money spinner for the record companies that one, but at least each version had three tracks for your £2.99; or if you were lucky £1.99 in the first week (the norm seems to be as soon as it breaks the top forty add another £1 to price). For our friends on the far side of the pond we’re talking about ~$3.80 to ~$5.50 – that is to roughly almost half the price of an album.

Now over the last six months, probably in part due to iTunes’ pricing of a track at £0.79, and now that digital purchasing is starting to make a notable impact; you typically only get two tracks on the single priced at £1.99 (still adding that £1 after hitting the top forty). A price that even I’m baulking at, and I have the benefit of a fair level of disposable income. To pour salt onto this open wound we’re starting to see the ‘B-sides’ turn out to be other album tracks or the same track performed live with very little difference in the performance; and can often obtained elsewhere.

So, if I’m representative of a singles buyer then all we can see is a slow steady decline to sales as more and more people decide they’re not going to bend over for the record companies. Naturally, the record companies will cry foul and blame illegal downloading.

The passing of Syd Barrett is going to get a lot of press for the next day or so. I’ll not clutter the web further ramblings. If you’d like to read about his life and significance to Pink Floyd – go here.

So who is Hilary Rosen you may ask. Well until a couple of years ago she headed up the RIAA (yes those nice people who sue their clients’ customers; aka Recording Industry Association of America). Hilary was responsible initiating the legal pursuit of downloaders, original closure of Napster, promotion of DRM etc. Hilary has a business partner (Jason Berman) a former member of the IFPI (the global parent of the RIAA, BPI etc).

 

So these two aren’t much loved by a notable proportion of net users. Now, I’m  not going to argue about the legalities of downloading, beyond saying that some artists allow recordings to be made freely available and for free, and fans should be allowed take advantage of this.  My message being, and this is important – downloading music does not automatically equate to illegal activity.  One further final beef with the thinking within the RIAA et al – if I purchase music, regardless of means I should be allowed to listen to it on the device of my choice.

 

Right now lets get back to Hilary & co. So you’d think a consultancy with these people would be all up for restriction of music, but nope; they have changed their tune a little. Well actually I’d say a lot, to the point of a U turn. Perhaps they’ve seen how much the RIAA has alienated people to the point record label bosses are rebelling.  So what is Hilary saying now?  Well she now consults for XM Satellite. The XM Satellite company that is delivering radio via satellite for the USA and has some very serious backing.  The really intriguing thing is that XM are also involved in pushing receivers for their service including a time shifting receiver/player. A Tivo or Sky+ for radio if you like. So believe it or not, Rosen is backing XM saying that there is nothing wrong with this, although the RIAA beg to differ and it’s all going to end up in court.

 

To me the argument over radio time shifting is no different to the argument about video recorders when they first came out – and we saw what happened there.  So logic would dictate Hilary might be right here. But hey, the MGM vs Grokster case which used the same video recorder argument (often called the Sony Betamax ruling) which argues that the technology and how it was applied are separate issues was overturned, so the device can record and the content being recorded is down to the user. So the situation isn’t so cut and dried. Given the outcome of these cases it seems that money talks even in the law courts in the US of A, so this could end up being who has deepest pockets.

 

End of story?  Well no, funnily enough that other pain in digitised music – DRM as been criticised by Hilary.  Well more specifically the fact that Apple will not share their DRM so locking you into iTunes.  You can see what she says here in the Huffington Post. 

 

So with the French legislation pushing towards breaking the iTunes lock-in and increasing clamour for FairTrade DRM to be changed.  The coming months are going to interesting for the future of digital music.

 

This does leave me in the position of saying I have to agree with Hilary Rosen at the moment. But who knows for next year.

 

MP3.com have good a rather good article about the real motivation of DRM; no not copyright protection, as MP3.com point out DRM is as much about imposing looking and market share – and this argument is well underlined by companies operating legal music downloads without DRM.

 

 

Digital Music News has a short new item here.  On the surface, not hugely interesting to the average music punter, but has interesting implications.  Basically it looks like Universal (one of the largest record companies in the world) will start selling CDs in just a cardboard sleeve at the price you would expect to get the traditional jewel cased CD.  To buy what is currently the norm (i.e. jewel case, lyrics etc with the booklet) you will now have to pay a premium. A back door price rise?  It seems so to me at the moment.

Universal also have a deluxe range with the bonus material (DVD etc).  The rub for me is that this normally gets released several months or years after the original launch of the main album.  Just to try and get the big fans to go buy the album again. To be honest, I would not be surprised to see the deluxe material increasingly appearing on P2P sites and, those who want the deluxe edition, but not prepared to buy the album twice resorting to the illegal downloading. 

So how does Universal gain by this?  I suspect they think they’ll be able to milk the market for a few more $$.  In reality they’re making it easier for people to justify to themselves going to P2P.