Keeping your Dentist accountable

I’ve recently had a rather unpleasant experience with my dental practice, and thought I’d share my experiences, so people may avoid the grief that I’ve had.

Some months ago, it turns out that my dentist was stopped from practicing – not from poor treatment, if anything I’d say he was very good but from what I can determine from financial malpractice. It seems that he had a number of patients who were meant to be treated under the NHS but had been charged private rates. I had thought I’d been one of his NHS patients, but it turns out not to have been the case – but I only discovered this when it was too late.

As my dentist owned and ran the practice as a solo operation, he had to bring in a locum until he could sell the practice. By this stage the practice was meant to have supplied the local Primary Care Trust with details of those patients he had on his records that are under the NHS – those people where then given the chance to change dentists, no other patients where told of the problems, and it may have been possible that not all NHS patients had been advised of the circumstances as the practice’s records I’m told are very poor.

Anyway, my tooth ache was a bad tooth that was going to need some root canal work. Over two visits the dentist attempts to clear the canal, on the second visit the drill bit jams into my tooth, and he can’t get the drill bit out. So after the practice staff put my dentist through to a local endo-dentist (read specialist) he holds a very loud phone conversation discussing the mess we’re in.

No I’m not the most comfortable person in the dental chair – is anyone? So hearing the phone conversation isn’t pleasant, to the point I’m wanting to be sick – but dare not move my mouth as I have a chunk of metal lodged in it!

The conclusion is that either I lose the tooth or I’m patched up and referred to the specialist. Losing one of your first molars isn’t attractive, so its the referral, at this point I’m told the cost of the treatment has gone from the original estimate of £280 to £600! The drill piece is cut and my tooth is patched up – then dentist charges me another £80 for that session on top of the 1st one.

A couple of hours after leaving the dentist the situation really hits home and, the question begs – why should I have to pay the extra costs – all £320 extra for something that wasn’t my mistake.

So I start calling, first NHS direct – sorry can’t help and at a loss as to who I should speak with as they’ve not got any information since the way dentists are payed and employed through the NHS. Try the PCT, to discover the full extend of the back story, and that now I’ve effectively started with private treatment, they have no responsibility and no dentist will take on the work given the rate paid by the NHS for this treatment may not cover the cost of fixing the mess. Back to my practice – the dentist’s reaction – will only pay if I can prove malpractice; but given its the drill that broke not the dentists – not easy thing to achieve. Next up – General Dental Council, nope they can’t help even though they’re supposed to represent the dentists. Then an email or two the ambulance chasing legal companies – no answer. Finally I run across the Dental Complaints Service , and I can’t praise them enough.

When I explained the problem and the run around I’d had, they very quickly agreed that they could help. First up – I was advised to write to the dentist and inform him formally of my complaint, and the discussion with the complaints service. Complicated a bit the fact that the locum had returned to Germany, and then comeback to the UK at a practice in Scotland. In the meantime they gave me the paper work which allowed them to see my dental records. The council basically, have to give the dentist to address the complaint, otherwise they can then take legal action on your behalf.

In the end the dentist offered to pay some of the costs. Given that this had dragged on from the start of the treatment to finding someone who would help me, I accepted this rather than the frustration and problems of a legal battle with someone who may not be in the UK for very long.

From all of this my advise is:

  • If you’re having any treatment done, and you think you’re an NHS patient – make sure that that is the case
  • Any extended treatment – don’t do with a locum who may go tomorrow.
  • If go private – make sure got plenty of cover, after that you get what you pay for. The endo-dentist was very good, but very expensive.

Interesting approach to measuring the charts

As an blog entry on Idolator points out with charts taking into account downloads, the task of capturing the data has become a lot more problematic.

The article (here) also highlights the fact that particularly for America, radio playlists change slow thus slowing any changes to the chart – so they’ve offered another interesting one – Top 50 Music torrents – here.

LinkedIn

I’ve been looking at LinkedIn as means to network with old colleagues, I’m rather impressed by the idea, where you can use the site to contact people for business purposes through mutual acquaintances. Not only that the site is pleasing to use – clear and uncluttered.

Anyway my profile is here.

View Phil Wilkins's profile on LinkedIn

Record industry to justify 79p per track price

According to the Guardian (article here) the record industry are going to justify their pricing policy of 79p per track (something that doesn’t make sense when you can buy the album as a CD for the same price or less). 

Live Nation (aka Clear Channel) – steadily taking over Concert Venues

Live Nation, better know by its old name of Clear Channel seems to have aspirations in buying up all the decent music venues in the UK. With the approval of the acquisition of the Academy Music Group (who own Brixton Academy, Shepherds Bush Empire and few other well known music venues (article here)) along with venues such as Oxford’s Zodiac (details here). 

 If this continues then I believe the outlet for smaller upcoming bands maybe curtailed, and the fair potential for ticket prices to rise noticeably.  I’m generally not against corporatisation for the sake of it (I don’t see No Logo as my bible).  But in the music industry it seems that  corporatisation tends to be a choking influence with a reluctance to invest in new artists.  As it is Clear Channel has a serious chunk of radio airplay already, the number of potential organisations to get new artists exposed in traditional means is shrinking.

Photos in Windsor’s Great Park

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A tree in Windsor Great Park with a dusting of Snow
A tree in Windsor Great Park with a dusting of Snow,   

With the snow this morning, I thought I’d try to quickly capture some pictures as I passed through Windsor’s Great Park. Although the snow in Windsor hasn’t been as heavy as it has in other areas – so not as pretty as it can be after a decent snow fall, it did nicely increased the contrast against the great oak trees.

With the snow this morning, I thought I’d try to quickly capture some pictures as I passed through Windsor’s Great Park. Although the snow in Windsor hasn’t been as heavy as it has in other areas – so not as pretty as it can be after a decent snow fall, it did nicely increased the contrast against the great oak trees.

With the snow this morning, I thought I’d try to quickly capture some pictures as I passed through Windsor’s Great Park. Although the snow in Windsor hasn’t been as heavy as it has in other areas – so not as pretty as it can be after a decent snow fall, it did nicely increased the contrast against the great oak trees.

A couple more photos on our Flickr site

Ignoring the fans that got your career going?

Aqualung” target=”_blank”>Aqualung's Still LifeI think I’ve seen a trend that looks very unattractive in the music industry, specifically artists, particularly British ones once they start to make some head way in the States treating their British fans as second rate citizens.  Let give you an example; Aqualung got themselves going in the UK rather well, particularly with the help of some music being used in O2 adverts.  After the second album, someone, somewhere decided that they should make a real push in the USA.  I don’t have a problem with that, and after a couple of years Aqualung are back with a new album.  Well sort of, it appears that they have release dates for the USA (March 13th) – but not in the UK.

 

 Given that I’ve followed them pretty much every step of the way I feel abandoned. Not only that the next tour – one date in the UK before heading to the USA again.

 

Gomez Aqualung aren’t the only artist like this, Gomez are just another example of this; although this is a little more understandable as their musical style has roots in the southern states.

 

The silliest thing is, that by atleast not releasing the album globally they’re giving people an excuse to go to P2P sites and downloading the album.  After all, why should I pay two or three times the album price to get it on import and wait weeks when the same album will eventually be available at the usual price in the UK (assuming they get around to actually releasing it here at all).

Have the record companies got the Message about DRM?

According to the International Herald Tribune, they may just be seeing sense (article here) and are now looking at selling music as MP3s.  Arriving at this situation is not surprising, with several different trends:

  • Going to MP3s would give them a means to break the strangle hold that Apple and Microsoft currently hold over them. Particularly with the resent friction with Apple over pricing models.
  • As home media systems become increasingly integrated users will become more frustrated about restriction on which devices can play their music.
  • The IFPI and RIAA‘s war against P2P sharing is only having limited impact and only driving more sophisticated solutions to sharing both in terms of technology – look at the rise of Bit Torrents after the attacks on older P2P solutions and in legal means – setting up indie record labels, buying their own islands etc. No to mention its alienating the very people they want to sell to.
  • Research shows that more people download, typically the more music they’ll buy.

1st Post of 2007 – Starting with hopes for the coming year’s music …

I always seem to get excited at the start of a new year, looking forward to the forth coming music releases.  so to start the year, I thought I’d start with a few items of news ….

  • Sting to reform with Andy Summers & Stewart Copeland for a Police 30th Anniversary tour
  • U2 thinking about change of direction, and possibly going acoustic with an 07 release
  • New release from Norah Jones next month
  • New Stooges album in March!
  • Kaiser Chiefs release album in Feburary (more here)
  • Keane to cover the Cult (more here)
  • Aqualung release a new album in March (more details here)
  • New Air album
  • New Tom McRae album
  • Bryan Ferry finally delivers a new album in March!
  • Another offering from Joss Stone.
  • Speculation for releases from Radiohead, Smashing Pumpkins, Cat Power and Ryan Adams

On a sad note we have to farewell to James Brown and Ahmet Ertegun.

Joseph Arthur – new album as donation download from website

Joseph ArthurI’ve been catching up with my podcasts, such as the wonder Morning Becomes Eclectic from KCRW to discover that Joseph Arthur has a new album out – which can be downloaded directly from his website (here) and only asks for a Donation!!!!  Nice to see some brave thinking.  I’ve made an initial donation and downloaded the album, if the album is good then we’ll donate some more.

 

In addition to this, Joseph also released Nuclear Daydream which has been very quietly been released – I don’t think I’ve seen any reviews for it in the UK press, including the likes of Uncut, which is a shame, as I’ve been listening to a copy on and off since I found out about its release earlier in the year. Perhaps not as stunning as Our Shadows Will Remain, but still a worthy purchase (despite beingh an import).