All the signs are that we’ll be seeing another avalanche of material from Ryan Adams in the new year.
Adams is incredibly prolific. But unlike the steady flow of releases from, say Van Morrison (1 or 2 every year for the last 10+ years), or Tangerine Dream (120 releases if you include all their soundtrack)., Adams’ release pattern has shifted towards releasing albums as a known series of albums to multiple albums at once. Last year, we saw Chris, FM, Devolver, and Romeo and Juliet come out at once. Then, later two cover albums very close together (Nebraska, Blood on the Tracks). This year, we’ve had the Return to Carnegie Hall box set and Morning Glory.
This shift has really kicked in since Adams resurfaced after being investigated for possible criminal sexual behavior, messy divorce, and other such accusations. Which may well be linked to changes in his record label relationships. I’m not going to suggest Adams is an angel; it’s clear he is a flawed individual. But being flawed doesn’t mean he isn’t talented. Just look at Prince or Michael Jackson to see that
Despite the number of albums being released, the quality is remarkable. But I can’t help wondering if he was working within the constraints of a more conventional record company, whether we would see fewer official albums, but at a standard that equals or surpasses that of Gold or Cold Roses – considered as possibly his best work. Plus, a lot of bootleg releases with the rest of the material.
The new book focuses on Fluent Bit, given its significant advances, reflected by the fact it is now at Version 2 and is deserving of its own title. The new book is a free-standing book but is complimentary to the Logging In Action book. Logging in Action focuses on Fluentd but compliments by addressing more deeply deployment strategies for Fluent Bit and Fluentd. The new book engages a lot more with OpenTelemetry now it has matured, along with technologies such as Prometheus.
It is the fact that we’ve seen increasing focus in the cloud native space on startup speeds and efficiency in footprints that have helped drive Fluent Bit, as it operates with native binaries rather than using a Just-In-Time compilation like Ruby (used for Fluentd). The other significant development is the support for OpenTelemetry.
The book has entered the MEAP (Manning Early Access Program). The first three chapters have been peer-reviewed, and changes have been applied; another three are with the development editor. If you’ve not read a MEAP title before, you’ll find the critical content is in the chapters, but from my experience, as we work through the process, the chapters improve as feedback is received. In addition, as an author, when we have had time away from a chapter and then revisit it – it is easier to spot things that aren’t as clear as they could be. So, it is always worth returning as a reader and looking at chapters. Then, as we move to the production phases, any linguistic or readability issues that still exist are addressed as a copy editor goes through the manuscript.
I’d like to thank those involved with the peer review. Their suggestions and insights have been really helpful. Plus, the team at Calyptia is sponsoring the book (and happens to be employing a number of the Fluent Bit contributors).
We also have a discount code on the book, valid until 20th November – mlwilkins2
It’s been about twenty years since we’ve had any new original songs from Peter Gabriel. Now, for the last year, he has been teasing us by releasing a new track every month with two mixes called The Bright Side and The Dark Side. which sort of makes sense, given you could see I/O as a rather abstract representation of Ying and Yang.
With a track, each month has created an interesting experience, as it has given us time to absorb each track, rather than a big audio feast of an album, where the singles leap out at you, and then you start to appreciate the other tracks. If there is a downside, it is probably the fact it is no longer easy to say – these tracks are the singles. But to be honest I don’t think it matters to Peter Gabriel. There may be fan favorites, but that’s it certainly as far as it goes since Us.
However, even knowing which tracks are becoming fan favorites has been tough as Peter toured the album, and depending upon where you are in the world, you’ll have only heard some of the new songs, even though the core of the live show has been I/O.
The musical core of the band remains largely unchanged, with David Rhodes and Tony Levin with Manu Katche back on drums for most of the tracks. John Metcalfe is back, having also contributed so wonderfully with New Blood and the tours over the last ten years where Gabriel has used orchestral arrangement.
With this team, we have a real mix of style and sounds. From the very reflective Playing For Time, which opens with the muted horn reminiscent of tracks like Father Son on Ovo. Then there are tracks that are rhythm-heavy, like The Court, that would have fit in on the Up album.
As with all the two-letter-titled albums, there is a loose theme to the album. For I/O that is input and output, whether that is input from observation as suggested by Panopticom to the title track about how to absorb and contribute to the environment.
What the album shows and the tour demonstrated is that unlike some of his peers, Peter’s voice has changed, but the songs fit what sounds like a more weathered voice. The older songs, which may have been pitched higher, still have the energy and dynamics but perhaps pitched a little differently. So none of the challenges faced like Jim Kerr, who leans more of backing vocalists live, or Sting and Bono, who you can hear have to really work to hit some of the notes.
Peter has continued the idea that each song gets its own artwork associated with it, which came to prominence on the Us album (you can see more with Art From US). Some videos of this work can be seen here.
I/OPanopticom (artist Davif Spriggs)The CourtPlaying For TimeOlive Tree (artist Barthélémy Toguo)Love Can Heal (Artist Antony Micallef)This Is Home (artist David Moreno)And Still (Artist Megan Rooney)Road To Joy (Artist Ai Weiwei)Four Kinds of Horses (artist Cornelia Parker)
Along with the artwork, there have been some amazing videos. This is not big news, and the use of technology – particularly the application of some Generative AI. Check out these:
Phil (aka MP3Monster)'s Blog 
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