For the new daddies – graduating from FHM. Still has has and gadgets and great competitions.
Link to FQ Magazine: Parenting Magazine for fathers , new dads and single dads
25 Friday May 2007
Posted in General
For the new daddies – graduating from FHM. Still has has and gadgets and great competitions.
Link to FQ Magazine: Parenting Magazine for fathers , new dads and single dads
18 Friday May 2007
Posted in General
There a raft full of tricks that you can do to help minimise the impact of junior on the gadget budget. But without compromising on quality or quantity (or in woman speak how to get more) it seems that signing up to various parenting clubs run by different brands and shops can help ease the bills, at the price of a bit of junk mail. The precious little ones site has a link to some, but it is far from complete. I know we use (that is to say Mrs Monster):
These clubs normally mean you’ll receive samples and or vouchers for the products that they’re trying to sell. The good things about the likes of Boots and Tesco’s is as they sell multiple brands you’ll get your vouchers for all the brands.
18 Friday May 2007
Posted in General
I’ve been asked about places for shopping for baby stuff. So from my experience I thought I’d highlight the stores we’ve used.
Obviously these are our preferences any everyone is different.
17 Thursday May 2007
Posted in Music, Music Reviews
I’ve come across a little gem of an album – Different Places by Plastic Operator (homepage, myspace). If you can imagine early period Air (Premier Symptomes, Moon safari) combined with a slightly stronger beat and a little 80s synth in places then you’re getting the right direction. You can hear a couple of the tracks on their myspace.
This is the debut album by Plastic Operator – yet has been well reviewed by Uncut and album of the week for Rough Trade when it was released (14th May 2007 in Europe). If you’re really quick then you may get one of the signed copies if you purchase the album via their website (like Monster has).
“Not since The Postal Service have we heard an album that joins together electro and pop so perfectly.”
-Rough Trade Shop
You can find Plastic Operator’s bio here.
17 Thursday May 2007
Posted in Music
With Wolfgang Vault having acquired a large back catalogue of live performance recordings, posters and memorabilia with an emphasis on past classic artists such as Led Zeppelin etc it would seem that they are trying to consolidate this position further with the revival of Crawdaddy!
Crawdaddy was the first music journal started by Paul Williams. Crawddady predated the likes of Rolling Stone and Creem by several years and it helped to launch careers of music journalists such as Richard Meltzer. Crawdaddy’s creditability also attracted contributions from people ranging from John Lennon to Cameron Crowe and William Borroughs.
Unfortunately Crawdaddy has had a turbulent existence with publication stopping briefly in 1969, but more notably in 1979 until Paul tried to revive it in with limited success in 1993. Paul sold the rights to the name to Wolfgang Vault but has writing credits with the first issue. Will Wolfgang Vault have any more success with Crawdaddy (even in its online only form)?
Link to Crawdaddy – The magazine of rock
10 Thursday May 2007
Posted in Music
If You’re a fan of Polly Paulusma, particularly her latest album Fingers & Thumbs, then it would be worthwhile keeping an eye on her myspace. Each week Polly is releasing a track that didn’t make to the album as a free download.
09 Wednesday May 2007
Posted in General
A number of friends and colleague have recently discovered that they’re going to be parents for the first time. Now, I’m not one for dishing out advice left right and centre, after all each parent and bambino are different. But from our experience, there is one thing we did I’d recommend to anyone who cares to listen. That was to join the National Childbirth Trust (NCT) and attend their antenatal classes.
I’ve read mixed feedback (from a male perspective) on the value of classes going from excellent to a bit too touchy feely. But in my mind the crucial benefit was the opportunity to develop a network of friends going through the same experience who you can talk to, share the experience and seek support from. Although from my perspective the network is more about knowing some other fathers who can chat down the pub over a beer. But for Mrs Monster it has been invaluable, getting support and social contact that I can’t give, particularly during those early weeks and months when I’m back at work and she is having to do a lot of the work (i.e. feeding every four hours).
I believe that we (Mrs Monster particularly) now have some new friends that I think we’ll be in contact with for a long time to come.
08 Tuesday May 2007
It would appear that in the ‘Land of the Free’ the legislature is getting a little over zealous about protecting big business. This time the record companies appear to have found away to make the practicalities of selling second hand CDs economically and in practical terms unviable – the full story can be found here. The whole action is an attempt to stop people using it as a channel to sell pirated CDs.
The whole situation seems a little crazy – in countries such as Russia & China pirate CDs account for 90%+ of all CD sales, so making a little bit of head way (even if it means bribing officials to get things moving) would notably improve profits for the companies rather than chasing those 1%-2% of sales that maybe lost in this manner. Although there is nothing wrong legally in chasing down those small criminals the actions affect small businesses and more importantly 90%+ of the law abiding population.
In many respects this strikes me as being a lot like speech Tom Dobbs (Robin Williams) from the film Man of The Year gave at the Presidential Debate when asked about national security he ripped into the levels of airport security being so tight its frightening for the law abiding Joe – yet Mexicans can wonder across the border with their entire household without being in the least bit concerned.
08 Tuesday May 2007
Posted in Music
The last few days I’ve started into Last Night A DJ Saved My Life – The history of the disk jockey. To be honest I approached the book with a bit of trepidation as the title does sound incredibly dry. I thought I’d end up reading a chapter and putting down for a month, before tackling a bit more. But it turns out to be anything but. This is book written by two very passionate authors who have reached their subject such that they can describe how DJs have evolved painting pictures for the minds eye with words.
The book is really concentrates itself on DJ in terms of clubs rather than Radio DJs which would seem not to have changed hugely. From the evolution of radio DJs just doing their radio thing in halls to the development of mixing, the lust for for obscure versions of songs and being innovative musically and visually.
The irony of the fledgling years of the DJ is that every time powerful organisations or government tried to squeeze out developments in contemporary culture (in those days as a view to suppressing what we now know as Rhythm & Blues) they actually end up fueling the change through a different channel, something we still see today – for example with our friends the RIAA. An illustration of this was with radio broadcasting in the late 40s and early 50s had to be with live musicians with very limited amount of ‘needle time’. Then the musicians unions started striking for an entire year – so radio stations would get strike busting musicians to record music to LPs, which they’d distribute to radio stations – and this was the birth of the LP. The jukebox took off at the time as well.
Its fasinating (andy maybe a little scary) to discover how important Jimmy Saville is to DJing as well. As he appears to have been the first to use a dual deck setup and little or no chatter between songs just playingin one after another – this was the late war years and into the early fifties. Then the Northern Soul’s need for stompers lead to the revival of some artists careers off the back of this very British scene. Northern Soul also laid down the seeds for styles such as garage and so on. The book also gives an intriguing insight into music tribalism going way back to the 30s & 40s.
Worth an investigation.
02 Wednesday May 2007
Its interesting that Tessa Jowell has announced another inquiry on the subject of ticket touting – as mentioned on the NME and BBC web sites. Call me cynical but this might to an action to gain some positive press after all the bad press over the Olympic Games costs and super casinos. Setting that aside, this is actually nothing very new, the Department of Culture, Media & Sport (DCMS)(the department responsible for such things) and the select committee for Culture, Media and Sport covering culture affairs have been making announcements and raising questions going back to 2004 and earlier – a quick search of the DCMS’ website turns up glossy documentation for the department’s objectives identifying the addressal of ticket touting back in 1999(clearly stated on page 15).
Yet nothing beyond talking about the fact that ticket touting is bad seems to be getting done. Nearly a year ago, the Tessa Jowell at the DCMS held a ‘summit’ on this issue (NME & BBC coverage), you would have thought that after this time they would have progressed things even a little bit. I’m the first to agree that the issue isn’t simple – after all those people who have genuinely purchased tickets, and then can’t attend an event have a legitimate reason to sell on tickets. But undeniably there are people out there buying up tickets to then sell on at inflated prices. The other thing that I can’t make sense of is the fact that touting tickets for football matches has been addressed.
But on the subject of inflated or inflating prices, it seems to me that ticket prices for concerts have been climbing very rapidly over that last couple of years. According to the BBC tickets have prices have been going up 10% per year (article here). Tickets to stadium concerts now seem to average £50 for a cheap seat – forgive me for my ignorance, but I thought economies of scale meant these things should get more expensive.
Then we have the super price concerts such as Madonna (£80-£160) and now Barbra Striesand (£100-£500) and Rolling Stones (£150). Admittedly Striesand will be touring with a large orchestra (but you can see the London Symphony Orchestra at the Barbican for £20) and Madonna’s show looked fairly complex to setup – but no more so than say Peter Gabriel (who’s tickets are at the most a third of the price).
The last sin, in the whole ticket story is the artists auctioning their own tickets to get as much as they can for the best seats. But I’ve blogged about that before.
So are the touts the only ones with outrageous expectations? What are the real chances of the politicians going something about rip off ticket prices (touts and artists)?